PinkPantheress’s newest studio album, “Fancy Some More?” is capitalizing on her versatility. Released on Oct. 10, this remix’s tracklist expands on the electro-pop world of “Fancy That.” Exploring this dual disc feature, the star-studded effervescent beats of her original mixtape were handed to 22 collaborators to reimagine their soundscape, which produced a kaleidoscopic mix of new, refreshing takes that don’t necessarily fit into Pink’s world.
With a discography dominated by a mixture of unapologetic house-pop and sonically nostalgic sounds, PinkPantheress’s stardom was predestined ever since she had her first viral hit in 2020 on TikTok. Pink has always flirted with the idea of producing unique beats and utilizing creative samples. As a teen, she dabbled with writing songs inspired by alternative bands and 2000s pop, those musical textures translated in the exceptional and evocative music she makes today.
“Fancy That” was my reassurance that Pink knew what she was doing. Flawless execution, seven songs that played straight into the hearts of those who already adore her sound, but adventurous enough with its influences to garner the streams of millions of others.
“Fancy Some More?” is the idea of an overhaul similar to Charli xcx’s “Brat but it’s completely different,” but without that complete, iconic and flawless connection that Charli’s features have with her. As much as she is remixable, PinkPantheress ultimately makes music that can be easily lost in translation, but welcoming to those who just get Pink’s world.
Two of the “Stateside” remixes on the first disc are a prime example of the quality of the album.
Zara Larsson nailed her remix. It’s an up-beat electronic anthem, with head-turning light, yet nasty synth. Her collaboration created such a dynamic song. Larsson’s polished pop melismas, her cheeky lyrics that prod at the discourse where she opened for Tate McRae, “Who knew that opening up would make a headline?” It’s addictive. She understood the assignment and made an infectious pop hit. I’m marking the days until this song goes viral on TikTok and Zara Larsson gets the roses she deserves for this remix.
Kylie Minogue’s approach to “Stateside” was interesting. Her entrance wasn’t bold like Anitta was on “Illegal,” but subdued. It was almost like she was reluctant to step into Pink’s world. I love Minogue’s music to death; her influence and earned relevancy is something that should be respected. I wish she had more than a handful of unique verses. And I wish that she made her vocal presence known earlier than 40 seconds before the song ended.
Overall, the album has its highs and its lows. I still thoroughly enjoyed “Fancy Some More?” and the difference between all the songs. There’s a little bit of everything in there and a lot of individual influence in each song, which makes the album a smorgasbord of musical brilliance and also a showcase of the identity and evolution of PinkPantheress.
